Trinh T. Minh-ha
             
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  Naked Spaces - Living is Round
FILM STILLS
135 min. color film (1985)
Produced by   Jean-Paul Bourdier  
Directed, Photographed, Written and Edited by Trinh T. Minh-ha
           
A film on the poetics of dwelling and on the relation between houses and cosmos in West Africa. “Naked Spaces surveys the integration of ritual and work, the home and the world.... Each dwelling has its own blend of environmental logic and irrational splendor....the film is nonlinear, decentered and deliberately unsettling” (Jim Hoberman, The Village Voice)
  "A graceful, epic meditation on people and their living spaces in six countries of West Africa, this majestic film unfolds poetically around three intricately intertwined voices that provide different, but interactive interpretations. A cinematic journeys that provokes critical political questions about perceiving and representing Third World cultures."
    - Susan Ditta, The National Gallery of Canada
  "...every moment of unsmoothness presents a gap, almost a kind of wound, a moment in which the inevitably consistent rhythm of 24-frame-per-second film projection is broken, and consequently, a place at which the film's style can open itself to an observation of the outer world... a film that reverberates between its subject matter and its cinematic form, and that challenges each of us to examine the ways in which we think about looking at films, and other cultures, and at ourselves."
    - Fred Camper, Chicago Reader
"a lyrical, beautiful, engrossing and provacative film"
  - Jenny Perlin, San Francisco Cinematheque
"A sensuous and philosphical journey... Exquisitely photographed, rich in detail and texture, this film is not essentially a documentary though it contains elements of documentation. It acts, rather, as a counter-documentary, throwing into question our formulas for the relationship between fact and truth."
  - Robert Anbian, Film Arts Festival
"beautiful and instructive, a duet between filmmaker and subject, disclosures and enclosures, which remains perpetually fresh and unpredictable over the film's (length)."
  - Jonathan Rosenbaum, Chicago Reader
       
      Festivals
      Whitney Musuem of Art, Biennial Exhibition
      Toronto Festival of Festivals
      San Francisco Film Festival
      Edinburgh Film Festival (UK)
      Jerusalem Film Festival
      Vancouver Film Festival
       
      Awards
      Golden Athena, Best Feature Documentary, Athens International Film Festival
      First Prize Blue Ribbon, American Film Festival