|
IASTE Home
People
Staff
Advisory Board
Conferences
2008 Conference
Past Conferences
Publications
TDSR
Working Paper Series
Books
Outreach Videos
Ordering
Information
Links To
Related Organizations
Search |
|
[Out of Stock]

Volume 1.1
TRADITION AND
MODERNITY IN THE FACE OF TIME
Bruno Queysanne
MYTH, SYMBOL AND FUNCTION OF THE TORAJA HOUSE
Eric Crystal
Sequestered in the highlands of the southwest peninsula of Sulawesi Island,
Indonesia, the Sa’dan Toraja continue to maintain an ancient ceremonial
system, indigenous forms of artistic expression, and a vital traditional
architecture anchored in a unique dwelling design. This paper discusses
traditional concepts of ritual performance and belief which are invested in
Toraja living space. It notes the extent to which the Toraja house has
become both a symbol and a sign of minority identity in Indonesia. As a
postscript, it makes note of contemporary adaptations of traditional house
forms in structures ranging from Christian churches to government offices
and tourist hotels, and it comments on the vitality of traditional,
transitional and contemporary Toraja architectural design.
DOMESTIC ARCHITECTURE AND THE OCCUPANT’S LIFE CYCLE: SUDAN
Natalie Tobert
Based on a case study of the matrifocal Zaghawa blacksmith/potter village of
Kireyka in Darfur Province, Sudan, this paper highlights the social
significance of material artifacts and gives insight into the evolution,
development and modification of dwellings over the lives of their
inhabitants. It emphasizes the need for architects, administrators and
others responsible for Third World aid to design spaces that can be modified
according to their inhabitants’ customs and stages in the life cycle. The
paper documents the high degree of correlation between women at different
stages of the life cycle and their dwellings and material artifacts. It
explains how a distinct pattern of house development exists during a
family’s life cycle.
PROCESSION AND URBAN FORM IN A SRI LANKAN VILLAGE
William B. Bechhoefer
This
paper describes the traditional, religious, social and economic conditions
present in the organization of the village of Embekke in Sri Lanka. It
outlines the role of processions in the daily life of the village, and it
shows how the most important procession of the year, the Perhera, has
been of primary significance in shaping the village. Traditionally, the
temple controlled the entire village and gave use of homes and fields in
return for services to it, but today the temple’s holdings have been greatly
reduced, and few villagers assist in its operation. Nevertheless, the
spatial organization of the village has remained intact, as has its
aesthetic impact. Embekke today demonstrates a balance of religious, social
and economic principles which is different from centuries past, but which is
not less clear in expression. Embekke shows how coherent urban form can be
based on both traditional and contemporary institutions.
SAFRANBOLU:
AN ANATOLIAN TOWN WITH ROOTS AND URBAN FORM
M. Bilgi Denel
The
last inhabitants of Anatolia, the Turks, produced a unique vernacular
architecture. Working within the spirit of a distant nomadic life, they
developed a highly versatile, functional, and visually exciting house-form
that became acceptable to a diverse group of people with various ethnic
backgrounds and religious preferences. The small eighteenth-century town of
Safranbolu provides a good case study of this architecture. Vernacular
architecture in Safranbolu became the root of urban form, as houses related
to streets as a way of life. The strength of the architecture of Safranbolu
lies in a dedication to house design as cultural expression based on certain
maxims and construction traditions. One aspect of this cultural expression
is a belief that the needs of the community should take precedence over the
needs of the individual in the creation of public space. Another is the
belief in a self-sufficient private and secular house-form. The
architecture of Safranbolu provides a beacon of hope for the future.
IDENTITY
AND GIOVE: HILL TOWNS ARE ALIVE AND WELL IN UMBRIA
Francis Violich
Identity has been a major factor in establishing and maintaining traditional
forms of dwellings and settlements. Today this connection between people
and place has been fragmented because of social, economic and technological
forces. An examination of the hill town of Giove in 1987 revealed how
twentieth-century people can identify with places built long ago. The
author’s “reading” of Giove and similar hill towns in the area revealed
several key points: each hill town should be experienced as an integrated
whole rather than as a series of architectural elements; adaptability to
influences today is favorable when compared with earlier incremental changes
of traditional urban form and is facilitated by modern communication and
technology; the unique spatial settings of hill towns are of broad appeal
and benefit to a diverse population; the contrast between the deteriorated
environment of today’s massive metropolitan areas and the clean air, quiet,
human contact and opportunities for fresh identities in hill towns has
become a viable resource for sustained vitality; the conformity of
architectural traditions among towns is offset by a great diversity of
morphology; a regional framework is essential to understanding the quality
of individual places, their sources of identity, and current or potential
vitality; and the experiential, intuitive method of analysis can create new
opportunities for user identity in contemporary urban design and
restoration.
ANALYZING AERIAL PHOTOGRAPHS OF TRADITIONAL MAROON SETTLEMENTS
Anne Hublin
Compared to cartographic maps used by geographers or site-planning schemes
produced by architects, aerial photographs seem to provide an appropriate
tool for the analysis of traditional settlements. The tool was found to be
very effective in studying the Maroon settlements of French Guiana, as this
paper demonstrates. The resulting comparative examination of the traditional
rain forest villages and the semi-traditional suburban migrant settlements
revealed commonalities which identify a unique “Maroon” pattern. This
pattern contains a mixture of semi circular and linear arrangements of
dwelling units combined with a reticulated structure of paths and open
spaces. But while the traditional village appeared in a secondary forest in
various stages of agricultural exploitation, the suburban settlement
contained some element of artificial patterning like the large houses and
the French-imposed circulation grids. Like all techniques used in field
research, aerial photo interpretation can only be significant if it is
coupled with other culturally-based approaches.
|
|